Post by dinosauria101 on Sept 4, 2024 1:32:49 GMT 5
In other words, the people on the production, the same people who literally had so few ideas for settings that they resorted to doing T. rex vs Triceratops all over again, still didn’t see a need to include a Triassic episode?
Honestly it seems like the paleo-documentary-sphere is decidedly moving in the wrong direction at the moment. LESS varied representation of diverse organisms and ecosystems, in favor of MORE focus on the same old classics we’ve seen many times before. We’ve seen it with Prehistoric Planet (as much as I appreciated the genius and vision in that show, it’s still guilty of an exaggerated focus on Maastrichtian North America, when a show with the same concept could just as easily have been set in any other stage of the Mesozoic). We’ve definitely seen it with Life on Our Planet. And we are going to see it again with WWD 2025, as much as it pains me to make that prediction.
In a way, it mirrors how other major media franchises are developing; an overfocus on fan service, endless sequels that all look and feel the same, and revisiting old favorites instead of thinking of fresh, new material.
But somehow it disappoints me more when it comes to paleo documentaries, because it’s not like they have run out of source material or like it would be particularly challenging to come up with new stuff. There are literally hundreds of possibilities for what to show that have so far been rarely or never portrayed. But instead it feels like all the creativity instead flows into finding new excuses to show us the same things over and over again.
On a side note, I have to admit I’m not a huge fan of including Spinosaurus either. It has, firstly, also become a somewhat overhyped dinosaur by now, and secondly, any depiction of Spinosaurus is both likely to be outdated a few years down the line, and probably will entail picking sides (more or less arbitrarily depending on who happens to be hired as adviros) in the ongoing controversies.
PS: Sorry I’m being so negative
And of course as you already know, I 110% concur with your criticism of too much Maastrichtian North America. If only there was some way for viewers such as ourselves to voice our criticisms of that choice and suggestions for unrepresented alternatives to producers considering locations and times for new documentaries.