Post by Infinity Blade on Mar 19, 2023 6:02:19 GMT 5
Walking with Cavemen – A Retrospective Review
Promotional poster.
Walking with Dinosaurs ended up getting three special episodes, two of which were marketed together as Chased by Dinosaurs (which I already reviewed). These special episodes each focused on one specific time and place in the Mesozoic. Although Walking with Beasts didn’t get the same treatment, the BBC did produce a separate documentary that takes place entirely in the Cenozoic, which I like to think of as something of an extension to Beasts. And sort of like the WWD specials, this series had a specific focus: hominins. Enter Walking with Cavemen.
Walking with Cavemen focuses on human evolution. It originally aired from March 27 to April 23, 2003 (hey wait, that means the last episode came out on my fourth birthday! It was around this time I was introduced to WWD), so it’s close to the show’s 20th anniversary. Now, I think, is a good time to review it.
DISCLAIMER: I am not a hominin specialist. I will try my best at researching, but forgive me if I don't get everything right.
Directory:
- First Ancestors (this post)
- Blood Brothers->
- Savage Family->
- The Survivors->
- Final verdict->
First Ancestors:
Screen capture from Walking with Cavemen.
Final verdict:
So, my feelings towards this episode are kind of mixed. On the one hand, I’m honestly not too big of a fan of the people in ape costumes trying to make chimp noises. That’s not to say I don’t understand the creators’ rationale, but putting modern humans in the skin of their ancient ancestors just doesn’t look right and it doesn’t do it for me.
That said, this episode is definitely not without its positives. One minor thing of interest is we get to see some predatory threats to Australopithecus that we didn’t see in WWB, particularly crocodiles and raptors (a whole slew of predators would have threatened our ancestors, not just the often-depicted cats). Robert Winston’s scientific explanations for the evolution of bipedalism and the benefits thereof are very helpful to the average Joe viewer who doesn’t quite understand how evolution works. Likewise, in this episode we start to get a sense of just how many steps happened to go from even a bipedal ape to Homo sapiens. WWB may have said that Australopithecus had a long road ahead of them, but this episode is beginning to solidify it.
All in all, this episode is kind of like the Australopithecus it was about in a way: not too special, but has its good quirks and upsides.
Promotional poster.
Walking with Dinosaurs ended up getting three special episodes, two of which were marketed together as Chased by Dinosaurs (which I already reviewed). These special episodes each focused on one specific time and place in the Mesozoic. Although Walking with Beasts didn’t get the same treatment, the BBC did produce a separate documentary that takes place entirely in the Cenozoic, which I like to think of as something of an extension to Beasts. And sort of like the WWD specials, this series had a specific focus: hominins. Enter Walking with Cavemen.
Walking with Cavemen focuses on human evolution. It originally aired from March 27 to April 23, 2003 (hey wait, that means the last episode came out on my fourth birthday! It was around this time I was introduced to WWD), so it’s close to the show’s 20th anniversary. Now, I think, is a good time to review it.
DISCLAIMER: I am not a hominin specialist. I will try my best at researching, but forgive me if I don't get everything right.
Directory:
- First Ancestors (this post)
- Blood Brothers->
- Savage Family->
- The Survivors->
- Final verdict->
First Ancestors:
Screen capture from Walking with Cavemen.
- The presenter of WWC is Robert Winston, a British professor, medical doctor, scientist, politician, and television presenter. Like here. Did they really get some photos of his family from the early 20th century and put them in an album with a photo of a cave painting?
Like Nigel Marven, Winston travels back in time to observe ancient hominins, but he isn’t there to tough out the prehistoric world the way Nigel does. That is to say, he doesn’t interact with them a whole lot, and whatever interactions he does have are not important to the plot. His life is never in danger like Nigel’s is in Chased by Dinosaurs or Sea Monsters (even though some of the environments he travels back into are pretty harsh, like ice age Europe in the final episode). So as both narrator and presenter of WWC, he’s somewhere between Kenneth Branagh and Nigel Marven in his role. - This episode takes place 3.5 million years ago in Ethiopia, and starts out with the headlights of Winston’s Jeep flashing at a troop of nesting Australopithecus afarensis (one of which is the famous specimen Lucy). And here we discuss the first thing that stands out: the way these apes look.
Unlike WWB, WWC solely uses actors in makeup and prosthetics to portray Australopithecus, and later Homo habilis, H. rudolfensis, and Paranthropus boisei. The reason for this different approach is that the creators wanted viewers to be able to read the hominins’ emotions and thoughts from their facial expressions, something CGI, at least back in 2003, was not able to do well enough. They also wanted to make the human-like movement of the hominins seem more realistic, and that any failures to do so with CGI “…would be easily spotted and would break the magic that the program is trying to create” (link->). So now we understand why the Australopithecus here look so different from that of WWB two years before. But do I agree with their rationale?
Some people might disagree with me, but my answer is “not exactly”. While I definitely understand the need to properly convey the emotions of the hominins with real actors, using actors in makeup for the entirety of the program ends up looking very jarring (especially when you know that this was made by the same people who made WWB just a couple years before). And as I was flipping through the TVTropes page of this program, it hit me why: they tried to cram a modern human into an Australopithecus.
The problem is that modern humans are not proportioned exactly like our australopithecine ancestors. It’s not as bad as literally jamming a square peg into a round hole, but by providing you with that analogy I think I’ve made you understand what I’m getting at. As the aforementioned TVTropes points out, the brains are way too big, the legs are too long, and the arms are too short. The way the Australopithecus in this episode move and look makes it very obvious that they’re just people in suits. Their stereotypical, almost cheesy, chimpanzee noises don’t help them feel like real Australopithecus either. If anything, all this actually diminishes the immersion for me. If I saw one of these guys on the streets and didn’t know they were from a Walking with documentary, I’d have just thought they were random people in ape suits. I’m also willing to bet that if you had a real Australopithecus alive today, it would at least be thrown off by the appearance of these costumed actors.
Compare this to the way they made the Australopithecus when creating WWB->. The animators eventually settled on a walking cycle that, while certainly not particularly chimp-like, wasn’t quite human either. It made looking at these prehistoric not-quite-humans look more believable to watch.
I admit the creators’ point about conveying emotions and thoughts from the hominins does have its merits, but I also feel it would have been a better idea to at least reserve actors in makeup for close-ups, while recycling WWB’s CGI models of Australopithecus for shots relatively farther away. After all, it’s not like every single bit of screen time for these Australopithecus is a close shot meant to convey their emotions. In fact, when it becomes morning, we see the Australopithecus rising up from the grass; this bit is clearly not meant to be one of those moments where we see how they feel or what they’re thinking.
Alternatively, they could have maybe used animatronics too. Sure, it’s not the same, but it also isn’t as far down into the uncanny valley as the actors in makeup. Heck, even facial expressions in CGI, even at this time, shouldn’t look that bad. Again, I acknowledge it’s not the same as an actor, but in WWB they pulled off some convincing emotions from their Australopithecus. For example, look at this screenshot of Hercules from “Next of Kin”: he’s in 2001 CGI, but you can definitely tell he’s angry.
TL;DR: IMO the actors in makeup don’t look right. It would’ve been better to reserve them for close-ups displaying emotion, or even just stick with CGI and animatronics altogether. - Anyway, the Australopithecus are seen drinking water with Ancylotherium (recycled footage from WWB) nearby. A crocodile snatches the troop leader (and the father of Lucy’s infant) and kills him. Not gonna lie, when I was first rewatching this it actually surprised me a bit. Credit to them for that.
- Okay, maybe I can see what they mean by emotion. As Winston explains how Lucy’s troop is in a rivalry with another troop, one Australopithecus is seen looking at the off-screen threat, and then turning away, almost as if it were saying “ah shit, here we go again”. Although, the body language is definitely a big contributor to this as well.
- The troop rivalry thing is taken from chimpanzees. I genuinely wonder how violent Australopithecus confrontations were. Relatively reduced canines suggest minimized male-male aggression (as depicted in WWB), but I don’t think that’s to say that conflicts between different groups never got genuinely violent. If they did, presumably they relied more on blunt force trauma and sticks and stones to kill each other.
- Recycled WWB Deinotherium footage. But this time it doesn’t go on a rampage. In WWB just existing right in front of it was enough to piss it off (even when not in musth), but here making awful hoots and screeches just earns a casual glance from the hoe tusker.
- Lucy hides from male Australopithecus from the rival tribe by climbing high up on a tree. They can’t find things easily given that they’re in tall reed beds. Surprisingly, Lucy does not react to Robert Winston, who is atop another tree literally right next to Lucy’s. She can clearly see him too. You could argue that she doesn’t react out of fear of being discovered by the males, but I can’t imagine she wouldn’t be extremely surprised by this animal she’s never seen before.
- Now things get even more interesting. As Lucy’s troop and the rival males (which outnumber them) hoot and holler at each other across a river they happen to both use, Winston notes how Australopithecus are so ape-like in behavior, aside from walking on two legs like us.
To answer why (TL:DR; climate change), Winston suddenly decides to take a quick break from this and travels back to Africa a further 4.5 million years in the past (8 Ma), because he can just do that, I guess (btw, this makes this brief segment the only canon appearance of the Miocene epoch in the entire Walking with series…and it’s live-acted by modern primates in a modern rainforest, RIP). It’s a lot more forested and the apes (here portrayed as the ancestors of Australopithecus) are arboreal. I think even back then there’s a good chance that the direct ancestors of humans were habitually bipedal. There is evidence that Sahelanthropus tchadensis was a habitual biped living around 7 Ma, but that arboreal behaviors were still significant aspects of their locomotion (Daver et al., 2022).
Anyway, climate change is what pressured human ancestors to become bipedal, and I love how Winston gives us an easy to understand step-by-step explanation of how this happened. Seafloor spreads at a slow but steady rate->Indian subcontinent collides into Asia->the Himalayas form->these tall-ass mountains have an affect on local climate, prompting monsoons->all this heavy rain deprives the atmosphere of moisture->air currents that reach Africa are dry, not wet->drier environment of more scattered trees as opposed to rainforests->human ancestors must spend more time on the ground->two legs means somewhat more energy saved. I think the inclusion of this explanation is important because the average viewer is not going to understand how or why human ancestors evolved the way they did. The average person very likely wonders “Did apes evolve to walk on two legs because they just decided to?”. To someone paying attention, this explanation makes the first step of human evolution make sense. - For some reason there’s some focus on a weirdly-rendered beetle as it flies around, only to land on an Australopithecus and get eaten. It looked so weird I almost thought it was some insect-shaped drone flying around to look at the landscape.
- An eagle (live-acted by a Verreaux’s eagle, which, oddly enough, is a hyrax specialist for the most part) attacks the troop to snatch an infant Australopithecus lying on the ground. Luckily for it an adult (Lucy?) gets to it before the eagle can. Less than a million years later, the Taung child (A. africanus) won’t be as lucky (Berger & Clarke, 1995; Berger & McGraw, 2007).
- To expand upon the point about bipedalism, the documentary makes the point that, although the total amount of energy saved is not a whole lot, it still gives an extra boost of energy to recover more quickly after giving birth. In turn, this means a female Australopithecus could have just one more baby in her life, and producing more offspring means less susceptibility to extinction. Again, I appreciate explanations like this.
- One of the males tries to mate with Lucy, but she makes it clear she’s not interested (I’m going to be honest, it was kind of uncomfortable for me to watch this bit for a reason I think you can deduce). A battle for leadership among the troop breaks out between the males, which is then complicated when one of them steals Lucy’s infant and the rival troop gets involved. Lucy grabs her infant in the foray, only to be killed by a blow to the head with a large tree branch.
When Robert Winston inspects her corpse (the sad track playing is actually not bad), he notes that she and all other Australopithecus are just apes. Not especially smart (well, give her some credit Robert; all apes are pretty smart for animals), not especially fast, but with potential to become something more. Given how they frame it as “potential” to become something else, and how far removed from humanity Australopithecus is portrayed as, you could almost see it as “humanity evolving is not a given”. Of course, we do evolve, and the documentary makes no bones about it here.
This is going to be a common theme throughout WWC: we meet a hominin, but something, or many things, about it is not quite like us. And we are in for a loooooooonnnnnggggg ride of this. - By the way, you wanna hear a hypothesis for how Lucy might have actually died? She may have fallen from a tree (Kappelman et al., 2016), although this is by no means universally accepted->.
- Winston is responsible for Lucy’s fossilization in the Walking with universe (he picks up her body and sets it down on the river bank). Thanks man.
Final verdict:
So, my feelings towards this episode are kind of mixed. On the one hand, I’m honestly not too big of a fan of the people in ape costumes trying to make chimp noises. That’s not to say I don’t understand the creators’ rationale, but putting modern humans in the skin of their ancient ancestors just doesn’t look right and it doesn’t do it for me.
That said, this episode is definitely not without its positives. One minor thing of interest is we get to see some predatory threats to Australopithecus that we didn’t see in WWB, particularly crocodiles and raptors (a whole slew of predators would have threatened our ancestors, not just the often-depicted cats). Robert Winston’s scientific explanations for the evolution of bipedalism and the benefits thereof are very helpful to the average Joe viewer who doesn’t quite understand how evolution works. Likewise, in this episode we start to get a sense of just how many steps happened to go from even a bipedal ape to Homo sapiens. WWB may have said that Australopithecus had a long road ahead of them, but this episode is beginning to solidify it.
All in all, this episode is kind of like the Australopithecus it was about in a way: not too special, but has its good quirks and upsides.